"evermore" of a good thing

Just five months after releasing her Grammy-nominated album “folklore,” Taylor Swift surprised fans with a continuation of sorts — her ninth studio album “evermore.” Working with many of her “folklore” collaborators, Swift says that the team “couldn’t stop writing songs.” Like its sister album, “evermore” shies away from over-the-top pop production, and leans into Swift’s craft. Stripped of the highly produced synth layers from her “Lover” and “Reputation” era, Swift’s lyrics and vocal performance shine in their unvarnished restraint. On this hour-long album, Swift shows her ingenuity with the building blocks of songwriting, giving us more of her signature Swiftian strengths: Lyrics, melody and story. 

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Read "Figure It Out: The Linguistic Turn in Country Music" by Jimmie N. Rogers and Miller Williams in Country Music Annual 2000
Listen to Jenny Owen Youngs album Night Shift for more rubber bridge guitar and great songs
Learn more about your ad choices. Visit megaphone.fm/adchoices

Just five months after releasing her Grammy-nominated album “folklore,” Taylor Swift surprised fans with a continuation of sorts — her ninth studio album “evermore.” Working with many of her “folklore” collaborators, Swift says that the team “couldn’t stop writing songs.” Like its sister album, “evermore” shies away from over-the-top pop production, and leans into Swift’s craft. Stripped of the highly produced synth layers from her “Lover” and “Reputation” era, Swift’s lyrics and vocal performance shine in their unvarnished restraint. On this hour-long album, Swift shows her ingenuity with the building blocks of songwriting, giving us more of her signature Swiftian strengths: Lyrics, melody and story. 

More

Read "Figure It Out: The Linguistic Turn in Country Music" by Jimmie N. Rogers and Miller Williams in Country Music Annual 2000

Listen to Jenny Owen Youngs album Night Shift for more rubber bridge guitar and great songs

Learn more about your ad choices. Visit megaphone.fm/adchoices